Architectural Landscape

We will be doing a number of small group shows around a theme this year, featuring up to six artists exhibiting six or so pieces each.

The first small group show pulls together six artists inspired by architecture. Each has a very distinctive style achieved through employing different creative techniques.

George Birrell, working mostly with oils, plays around with areas of colour until he is happy with the balance and then creates the buildings and paraphernalia that are associated with the area…most commonly the East Neuk of Fife but he is working on one or two new pieces from recent visits to Amsterdam and we are delighted to be showing the first of these in this exhibition.

Ann Cowan sketches on location and then works with collage and paint back in her studio. The streets and houses of the New Town in Edinburgh feature regularly as do her morning walks up Blackford Hill affording her great views of the city. The spontaneity of the plein air sketches combined with vibrant colours of the painting and carefully placed collage, results in beautiful and unique interpretations of the Edinburgh architecture she finds so inspiring.

Much of Amy Dennis’s work uses the landscape around Edinburgh and the Firth of Forth as the back drop to highlight architectural features that catch her eye. For this show Amy has included a number of pieces of Gullane golf course, the landscape as well as the architectural objects found there. Using pigment mixed with egg yolk and distilled water, she paints onto a gesso prepared surface producing subtle and distinctive results.

Ann Oram’s work is always a joyful affair – full of exuberant colour and wonderful, expressive drawing. Possibly more well known for her floral still life and landscape pieces, for this show Ann has continued her cathedral series with studies of the beautiful cathedrals of Rouen in France and St Giles in Edinburgh in particular. The results are typically fresh and vibrant demonstrating what a talented and versatile artist Ann is.

Clive Ramage works from his studio in Edinburgh where he is also a member of the Edinburgh Printmakers Workshop. Another artist who is inspired by the architecture of Edinburgh as well as the villages of the surrounding countryside and coastline of the Firth of Forth. Clive employs a naïve, folk-art style and this, along with his choice of colour evokes a wonderfully Scottish feel to his work.

Allan J Robertson, also based in Edinburgh, is drawn to “the ruin” in landscapes, most recently, to piers and bridges – structures that evoke nostalgia for bygone industry or for journeys embarked upon or being considered. Allan researches the history of the structures before sketching and photographing them on site. In the studio, each piece is worked up in layers of paint before scraping and scratching back into the surface, replicating the weathered and decayed surface of the structures themselves.

The exhibition kicks off with a preview on Friday 25 January from 6-8pm… I hope you can join us for a few glasses of wine and a chat with the artists.

Winter Mixed Exhibition

Our Winter Mixed Exhibition pulls together a number of our regular gallery artists along with one or two new faces. With a wide variety of painting, sculpture and ceramics, there’s sure to be something to suit most tastes.

Participating artists include, Claire Beattie, George Birrell, Georgina Bown, Davy Brown, Dominique Cameron, Sandra Collins, Alan Connell, Ann Cowan, Fee Dickson, Matthew Draper, Neal Greig, Andy Heald, Henry Jabbour, Rachel Marshall, Ann Oram, Allan J Robertson, Arran Ross, Gordon M Scott, Jayne Stokes, Astrid Trügg with ceramics from Leonie MacMillan and Sarah Lawson and driftwood sculpture from Shaun McLaren…and much more.

Allusion III

Allusion III

RGI artists working in the Narrative tradition.

Ade Adesina RSA RGI, Reinhard Behrens RSW RGI, June Carey RSW RGI PAI, Jimmy Cosgrove RSW RGI PAI, Jim Dunbar PRSW RWS RGI, Ronald Forbes RSA RGI, Gordon Mitchell RSW RSA RGI, Neil Macdonald RSW RGI PAI, Neil MacPherson RSA RSW RGI, Alice McMurrough RSW RGI PAI, Heather Nevay RGI, Murray Robertson RGI, Peter Thomson RGI, James Tweedie RGI, Helen Wilson RSW RGI PAI & Adrian Wiszniewski RSA RGI.

10 November – 4 December 2018

Private View, Friday 9 November 6-8pm

This exhibition is a selection of work by 16 of the elected members of the Royal Glasgow Institute of the Fine Arts (RGI), whose vision could be considered part of the Narrative tradition. The Narrative tradition has a long lineage in Scotland from the dramatic subjects of Gavin Hamilton, the rustic scenes of David Wilkie, the subtle story-telling of the Glasgow Boys and on to the New Glasgow Boys.

The artwork in ‘Allusion III’ invites a more personal response, with clues sometimes being found in the title of the work. However, any authoritative meaning is often deliberately buried. You are invited to read your own narratives into the often beguiling artwork of this exhibition.

This is the third incarnation of the RGI Allusion Group, the first being held in 2015 at the Kelly Gallery in Glasgow before they moved the show out of Glasgow in 2017 to the Tatha Gallery on the banks of the Tay in Fife. This year the show is on the road again, this time to Fidra Fine Art in their new premises in Gullane, East Lothian. With no RGI Annual Exhibition in the familiar November slot this year, this assembled group of RGI artists is a great opportunity to access some of the most talented and imaginative artists working in Scotland today.

 

Simon Laurie, Jock MacInnes & Astrid Trügg

6 October to 4 November 2018

Private View – Friday 5 October, 6-8pm

Our next exhibition features three artists whose work has a common thread; a fascination and understanding of texture, colour and form. The work of Simon Laurie, Jock MacInnes and Astrid Trügg draws inspiration from many sources, but the St Ives artists Ben Nicholson, Alfred Wallis, Wilhelmina Barns Graham and Terry Frost as well as William Scott, Braque and Morandi have all had a lasting influence.

Simon Laurie’s work, whether his stylised still life, abstract landscapes or simplistic heads, has a natural rhythm, skilfully balancing shapes, colour and texture. Multiple layers of paint are drawn and scratched into, producing tactile, textured surfaces punctuated by the simplified shapes of the everyday objects in his still lifes, hedgerows and fields in the landscapes and facial features of his small heads.

Jock MacInnes, like Simon, graduated from Glasgow School of Art and taught there for a number of years before pursuing his own painting career. Still life and landscape are the main focus of Jock’s work with the sights and sounds of the West Coast of Scotland and the harbours and villages around Collioure in the South of France featuring strongly. Texture again is an important part of Jock’s work, painting onto gesso-prepared boards and canvases and then scratching and scraping away the layers to leave a natural, weathered feel.

Astrid Trügg studied at Utrecht School of Art and Leith School of Art, and now lives in North Berwick and works from her studio in Edinburgh. Again texture, form and colour are key building blocks in Astrid’s work. Working into the many layers of gesso and paint produces interesting textures onto which antique newspaper collage adds a feeling of nostalgia. The everyday objects that are carefully arranged in Astrid’s still life pieces appear simplified, the perspective altered but the resulting forms balance perfectly with her vibrant and harmonious choices of colour.

Although all three artists employ similar techniques and share similar artistic influences each has evolved their own instantly recognisable, idiosyncratic style.

 

Dominique Cameron – The Wood

 

1-30 September

Private View – 31 August 6-8pm

Dominique Cameron spent nine months in a wood in Fife, not every day, but at least once a week walking, drawing, writing and painting this most complicated of spaces. Here the landscape snares, entangles, along paths where the light flickers and pools of shadows sharpen the senses. From Winter to Spring and early summer she charted the changes through ice and snow, rain, wind and sun, painting, amongst other things large scale works on paper on the woodland floor, attempting to articulate the nature of trees in all their constant movement of bursting, greening, flowering, falling. During this time she too became part of this landscape, not so much a visitor but more tenant of this small patch of Scottish woodland.

‘I have mapped my path through this wood….. It has become another kind of home, where I have got to know a little more of the lives that are lived here. I have loved every moment.’

George Birrell

We are delighted to welcome back George Birrell to the new gallery in his home town of Gullane for our Summer Show. George is a regular and popular exhibitor at the gallery so it’s great to be able to show a new series of his instantly recognisable paintings throughout August.

George has been working on a new landscape format which is a bit of a departure from the (mostly) square compositions we are used to seeing. I think it works incredibly well allowing George to add a bit more narrative to the scenes.

We are delighted to welcome back George Birrell to the new gallery in his home town of Gullane for our Summer Show. George is a regular and popular exhibitor at the gallery so it’s great to be able to show a new series of his instantly recognisable paintings throughout August.

George has been working on a new landscape format which is a bit of a departure from the (mostly) square compositions we are used to seeing. I think it works incredibly well allowing George to add a bit more narrative to the scenes.

See what you think!

The show starts with an opening on Friday 3rd August from 6-8pm and will continue until Sunday 26th August. Hope you can make it along.