Title: Harbour, Peterhead
Size: 20cm x 25cm
Medium: Mixed Media on Panel

Additional Information

East - Peterhead -  September 22nd 2021

"The most easterly point in Scotland yesterday at Peterhead. I could go no further. Fences and barbed wire, steel, netting, plastic and fishing detritus mark the end. The harbour is a space where everything I know of the world is redundant. Here is engineering, steel, speed, weight, scale beyond dimensions I understand. Tonnage of boat and net and hold. Fast cars speak of money from the herring and mackerel. A place of noise where fuelling and fixing and preparations are made for the next trip. Sun sparkles on the water in the harbour where grey seals play, waiting for their next easy meal and it is hard to think about the shape of water beyond the sea wall as gales promise to swing in from the northwest in the next few days. All of it I can only imagine."

 

"The harbour is a space where everything I know of the world is redundant. Engineering, steel, speed, weight, scale, beyond dimensions I understand. Tonnage of boat and net and hold. Fast cars speak of money from the herring and mackerel. A place of noise were fuelling and fixing and preparations are made for the next trip. Sun sparkles on the water in the harbour where grey seals play, waiting for their next easy meal and it is hard to think about the nature of water beyond the sea wall as gales promise to swing in from the northwest in the next few days. All of it I can only imagine."

Dominique Cameron

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About the Artist


Dominique Cameron RSW - Artist's Statement

As an artist my practice is rooted in landscape. I walk, draw, paint, write and film my encounters through the urban environment and the rural.

I grew up in the West country, a place of beauty, boredom and economic division. The most exciting thing for us as teenagers was the local disco on a Friday night and waiting for the Top 40 on a Sunday tea-time, trying to tape it on our mono tape recorders. This lack of adventure led to walking, away from home. There were particular routes I would take often, places I got to know in detail. It was a kind of ‘mapping’, charting the unknown parts of my surrounding landscape. To this day it is something I do on arrival in a new place, except now I make things that articulate what I find as artefact, as document as re-imagined memory of place. The teenage girl is still there, I can’t quite seem to shake her off, but its comforting to know I am still as curious and awkward and persistent.

Education

1989-92 – Napier University, Edinburgh – B.A. Photography (Distinction).

2013-14 – Duncan of Jordanstone College of Art and Design, Dundee – MFA Art, Society and Publics.